A cinematic, high-definition version of the London National Gallery's exhibition Leonardo da Vinci: Painter at the court of Milan, filmed on the eve of the opening in November 2011.

The exhibition brought together the largest number of da Vinci's paintings ever assembled in one show, including one that has never been seen before. The cinema version has the benefit of extra content and is cheaper than flying to London.

LEONARDO LIVE is presented by art historian Tim Marlow and Mariella Frostrup, who provide detailed examinations of the paintings, along with special guests and experts.

A Hobart exclusive, exclusively at MONA. Seating is luxurious, limited and exclusive.

Tickets available from Museum Reception, or phone +61 (0) 3 6277 9900 to pre-book. $20 Adults, $11.50 Kids, $18 Concession. Plus, Museum entry fee for non-Tasmanians.

Snacks and drinks (alcoholic and otherwise) available from the Void Bar, and welcome in the cinema.

We're super excited about the new MoMa. It's a produce-based market - junky souvenirs are banned. Expect fancy-foodie special picks, and fresh produce from local community growers. There's food to eat on site and to take home for your family. 

We will also share with you a range of curated projects featuring designers and craftspeople from the local area. Live music each week, courtesy of Brian Ritchie. Foodie 'how to' workshops at 2.30 and 4.30pm.

MoMa is lovingly curated by David Walsh's loving partner, Kirsha Kaechele. She's flanked by food curators Jo Cook & Michelle Crawford- hot, hipster Martha Stewart types, along with Shae Thomas. Design stalls curated by Natalie Holtsbaum. Minnie Mouse snake monster tent is by visiting New York artist Daphane Park.

We'd love to see you there.

'The Ice Suite' is an exploration of the imagined emotional states of the unlucky Arctic explorer Robert Falcon Scott as perceived by multi-media ensemble co.sonance who use programmed studio composition, live instrumental performance, spoken word and live mix visual projections to envelop the audience in a multi layered audio visual experience. Rather than 'tell' the tale of Scott's ill fated journey, the audience can enter the physical and emotional landscape of the man who led himself and four of his men to a cold and futile death, which will be performed exactly 100 years to the day after the event.

Co-sonance

Karena Wynn-Moylan (Digital music composition, programming  and spoken word )
Ken Naughton (Live violin and keyboard composition )
Cye Wood (Violin and 5 Octave violin )
Grayson Cooke (Digital imagery and live visual mix)

This is part of the Antarctic Centennial Year celebrations.